Inner School of Open Studies is a non-linear and hermetic art project committed to merging synthetic approaches in knowledge processing: language, calculation, and drawing. Collectively, these methods help us think, dream, and communicate across the dimensions of time and space.
Pages
Individual sheets with drawings, silhouettes of parts of figures or unrecognizable objects imprinted on them as if faded in the sunlight. Random signatures on the sheets look as if they were arranged on the layout of the book, but on the other hand, they are enlarged fragments of chalkboards.
Blackboards
A series of drawings from a fragment of an endless blackboard, layers of someone’s ideas, stories and sequential systems are captured by the frame of the paper format, suggesting the lack of boundaries of the original blackboard.
Flakes
A collection of fragments of wreckage of descriptions, calculations, explanations and evidence. Each of the compositions of composition intuitively suggesting the possibility of balancing disparate flakes.
Notebooks of Relations
…a profound exploration of speculative models, realized through a series of hundreds of small intuitive schematic drawings. Through the process of sketching, the elusive point of emptiness, the delicate frame of the moment, and the naive map depicted. These set of dozens of drawings serve as a gateway to understanding the intricate ways in which these ephemeral concepts can manifested and formalized.
Video Explanations
Video documentation of sequential explanation, manifesting notes, graphs and sequences. A set of 120 individual fragments is played back in random order, reproducing the effect of surprise each time.
Canvas Documents
Soft, cloth documents folded several times, as if some kind of record. Stapled in sets, separate sheets, tables or records, charts or sketches.
ATLAS
We try to figure out how to bring everything together in a certain system. There must be some general rules, something that works as a part of the whole system. I think I have discovered a relationship. It may not be immediately visible, but I will try to explain. No, no, not there, on the other side. Wait a minute.
Spirals, Grids, Scales
…the unseen movement of pattern energy on a surface can be made tangible through the use of visual guides. The set of drawings presented in this section embodies this concept, exposing an interplay between the visible and invisible realms. An attempt of documenting the invisible forces that shape our world. The patterns and forms within the artworks contain a shadow of movement, suggesting constant flux and transformation.
Silhouettes of Drawings
This series combines elements reminiscent of scientific diagrams and cave paintings, with black cardboard cutouts hung on the wall like an unstable breathing collection of insects. Linear cutouts articulate the ephemeral nature of arranged and documented reasonings, torned off the surface of someones notepad. Through layered and sometimes recognizable motifs, the infinite composition of the material manifests a visionary perspective of a cloud-shaped arrangement of thoughts.
Ocean of Memory: Stream
100 Video fragments, shuffle playback, sound, 1920×1080. 2020—2021
Document Arrangements
Layers of black matte cardboard, chalk, white gel ink, mechanical cut, mechanical drawing, black staples. 2021—2022. Published by Anthropogenic Markers: Stratigraphy and Context, by Max Planck Institute and Haus der Kulturen der Welt
Cards, Fragments, Components
Layers of black matte cardboard, white gel ink, mechanical cut, mechanical drawing, eyelets. Various sizes. 2018—Ongoing
Uncertain Praxis
Uncertain practice is a type of activity aimed at conducting experiments without any given goal or a specific question. What are such experiments for? The world around us breathes with confidence of clarity. Chains of events tend to be interpreted through established meanings and cause-and-effect relationships.
Particle Studies
If you look hard enough and long enough, you can even see with the naked eye how tiny neutrino particles pass through space, planets, and even ourselves.
ATLAS 21.22.23
“ATLAS 21.22.23” cycle, 120 sheets. Layers of black matte cardboard, chalk, white gel ink, mechanical cut, mechanical drawing, floating support, 29,7×40cm. 2022—On Going.
⊞ Exhibitions
Exhibitions, events, and installations. Views of the rooms and close-up fragments. Various cities, places, and years. Through their mosaic, a seamless narration erupts. Photographs are displayed in a shuffled order.
• About Author
Protey Temen’s practice is dedicated to the poetry of scientific methods, and their representation in culture. By making drawings, videos, books, and installations, he aims to create a self-referenced and hermetic network of curiosity.