Print, 14,8 × 21 cm. 2023 (2025).
Grid, Schemes, 21—40
Print, 14,8 × 21 cm. 2023 (2025).
Grid, Schemes, 1—20
Print, 14,8 × 21 cm. 2023 (2025).
Wood, Boxes, Particles, 1—9
Print, 29,7 × 29,7 cm. 2023 (2025).
Fossils, 1—16
Print, 29,7 × 40 cm. 2023 (2025).
Table, Documents, Arrangements, 1—30
Print, 29,7 × 40 cm. 2023.
Stone, Obsidian, Shard, 1—12
Print, 29,7 × 40 cm. 2023 (2025).
Particles, Wood, Molecules, 1—12
Print, 29,7 × 40 cm. 2023 (2025).
Paper, Creases, Folds, 1—24
Print, 29,7 × 40 cm. 2023 (2025).
Soft, Float, Space, 1—12
Print, 29,7 × 40 cm. 2023 (2025).
Particles, Clay, 1—24
Print, 29,7 × 40 cm. 2023 (2025).
Sky, Clouds, Soft, 1—12
Print, 29,7 × 40 cm. 2023 (2025).
Sky, Clouds, Foam, 1—12
Print, 29,7 × 40 cm. 2023 (2025).
Studio, Immanuelkirschstr
Individual shots and fragments of production, racks, surfaces and storage systems. Taken out of the context of time and space, these parts are combined without clear boundaries into a single workflow fabric. — Fragments of workflow, cabinet parts, and archive details.
Particle Count, Raw Cards, 1–13
Handmade paper, acrylic ink, gel ink, a set of 12 drawings, approx. 15 × 20 cm. 2023.
Particles, Cluster, Soft, 1—9
Print, 29,7 × 40 cm. 2023 (2025).
The List of Studies
…What should we know about knowing? How to anticipate the anticipatable? By constantly keeping work diaries and notes it was only a matter of time before they took the form of cards. Collected in a box, laid out on a table in random order, shown one by one… Each of the word combinations involves a chain of thought, disrupts the logic of everyday life, and acts as a mental lift. — An ever-expanding and of various cards: sidenotes, footnotes, event titles, project ideas, methods, and so on. Printed on offset paper, 8.5×5.5cm. 2018—Ongoing
Capsules, Glass, Particles, 1—12
Print, 29,7 × 40 cm. 2023 (2025).
Pages
“Relative Explanations” cycle. “Pages” series. Black paperboard, white chalk, white pencil, 29,7 × 40 cm. 2022—Ongoing. — Individual sheets with drawings, silhouettes of parts of figures or unrecognizable objects imprinted on them as if faded in the sunlight. Random signatures on the sheets look as if they were arranged on the layout of the book, but on the other hand, they are enlarged fragments of chalkboards.
Signs II
“Relative Explanations” cycle. “Signs” series, 2023. Black paperboard, white chalk, white pencil, machine-cut arrangements. Various sizes.
Signs I
“Relative Explanations” cycle. “Signs” series, 2023. Black paperboard, white chalk, white pencil, machine-cut arrangements. Various sizes.
Surfaces with Explanations
“Relative Explanations” cycle. “Surfaces” series. Black paper rolls, chalk, pencil. Various sizes. Installation at “Metascope” (solo), 229 Lab, Paris (FR), 2023
ATLAS 21.22.23
“ATLAS 21.22.23” cycle, 120 sheets. Layers of black matte cardboard, chalk, white gel ink, mechanical cut, mechanical drawing, floating support, 29,7×40cm. 2022—On Going.






















