Systems, Section B
Systems, Section A
Oval, Edge
Particles, Dust, Oval
Structures and Buildings
Drawings of various structures and mechanisms, with the structure of an illustration of a medieval alchemical book. Placed in the context of a standardized design sheet and executed in the manner of freehand drawing.±— “Visual Dyslexia” cycle. “Structures and Buildings” series, 2015—2016. White offset paper 120gms², acrylic ink, gel ink, pre-printed paper, unique drawings, 21×29,7cm
Heads and Thoughts
A series of drawings over an image of a person. Diagrams, signs and connecting objects cover the head of the human model. In this way the tension and direction of attention is visualized. — “Relative Explanations” cycle. “Body” series. White paper, pre-printed image, black ink, 29,7 × 40 cm. 2017.
Hands and Symbols
Hand drawn designs, symbols and patterns that can represent a variety of meanings: cultural distinctions, personal expression, spiritual meanings or even abstract art.
Lection 2) Basics
2016
Carpet, Universe
Canvas, print, 120 × 120 cm. 2018.
Particles, Light
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Human, Nature
Presentation, Slides
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The Dust, Posters
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Pure Data, Hand
Alphabet, Symbols
ATLAS
We try to figure out how to bring everything together in a certain system. There must be some general rules, something that works as a part of the whole system. I think I have discovered a relationship. It may not be immediately visible, but I will try to explain. No, no, not there, on the other side. Wait a minute. I’m pointing at something else, what are you all looking at? Yes, I agree, the shape is similar, and you are right, it is absolutely impossible to accurately identify the objects depicted. There is no mistake, these are the objects I wanted to present. Exactly. And precisely in that order. — “Visual Dyslexia” cycle. “ATLAS” series, 2015—2017. Paper, acrylic ink, gel ink, various sizes.
Alchemy
“Visual Dyslexia” cycle. “Alchemy” series, 2015—2016. White offset paper 120gms², acrylic ink, gel ink, a set of an unknown quantity, unique drawings, 21×29,7cm and 42×29,7cm
Scales
“Visual Dyslexia” cycle. “Scales” series, 2015—2018. White offset paper 120gms², acrylic ink, gel ink, a set of an unknown quantity, unique drawings over LaserJet print, 21×29,7cm — …the unseen movement of pattern energy on a surface can be made tangible through the use of visual guides. The set of drawings presented in this section embodies this concept, exposing an interplay between the visible and invisible realms. An attempt of documenting the invisible forces that shape our world. The patterns and forms within the artworks contain a shadow of movement, suggesting constant flux and transformation.
Spirals
“Visual Dyslexia” cycle. “Spirals” series, 2015—2018. White offset paper 120gms², acrylic ink, gel ink, a set of an unknown quantity, unique drawings over LaserJet print, 21×29,7cm — …the unseen movement of pattern energy on a surface can be made tangible through the use of visual guides. The set of drawings presented in this section embodies this concept, exposing an interplay between the visible and invisible realms. An attempt of documenting the invisible forces that shape our world. The patterns and forms within the artworks contain a shadow of movement, suggesting constant flux and transformation.
Pilots
“Visual Dyslexia” cycle. “Pilots” series, 2015—2016. White offset paper 120gms², acrylic ink, gel ink, a set of an unknown quantity, unique drawings, 21×29,7cm and 42×29,7cm
Anthills
“Visual Dyslexia” cycle. “Anthills” series, 2015—2016. White offset paper 120gms², acrylic ink, gel ink, a set of an unknown quantity, unique drawings, 21×29,7cm and 42×29,7cm
Once the Ant Climbed into the Astronaut’s Ear
2016
























