Individual sheets with drawings, silhouettes of parts of figures or unrecognizable objects imprinted on them as if faded in the sunlight. Random signatures on the sheets look as if they were arranged on the layout of the book, but on the other hand, they are enlarged fragments of chalkboards.

The precise lines, circles and mathematical figures evoke the feeling of technical drawings or blueprints. They seem to express geometric relationships, probably exploring some architectural or procedural concept.

We tend to think the moment is almost invisible by the common human perception of time because of the tiny amount of space it’s taking on a timeline. Therefore, our culture is often split in half by the question: should we rely on the moment or not, if it’s that notably small? By combining the ‘Mapping of the Emptiness’ and ‘Relative Explanations’ methods, daily used in the Inner School of Open Studies, we can zoom in and freeze one random moment for a few days. Probably, it will allow us to make some assumptions about what is happening between of reaching and leaving the moment.

Layers of black matte canvas, white pencil, chalk, and staples. Various sizes. 2021—Ongoing

Walls and floors, wooden frame structures covered with layers of black primed canvases or sections of paper rolls, with chalk and pencil drawings on the surfaces.

This series unfolds around archaeological finds, caves, relics, and magic. Debris, flakes of cultural layers, stapled or pseudo-documentary digital images, and hallucinations of outdated algorithms.

Soft, cloth documents folded several times, as if some kind of record. Stapled in sets, separate sheets, tables or records, charts or sketches.

This series combines elements reminiscent of scientific diagrams and cave paintings, with black cardboard cutouts hung on the wall like an unstable breathing collection of insects. Linear cutouts articulate the ephemeral nature of arranged and documented reasonings, torned off the surface of someones notepad. Through layered and sometimes recognizable motifs, the infinite composition of the material manifests a visionary perspective of a cloud-shaped arrangement of thoughts.

Layers of black matte cardboard, chalk, white gel ink, mechanical cut, mechanical drawing, black staples. 2021—2022. Published by Anthropogenic Markers: Stratigraphy and Context, by Max Planck Institute and Haus der Kulturen der Welt

A 12-page album devoted to the documentation and description of the individual parts of the wave, the dynamics of development, some patterns of directional change and fragility. The notes around the edges of the sheet make it difficult to make a thorough guess as to what specific type of wave this wave is, what you need to know about it, and how to treat it.

…a profound exploration of speculative models, realized through a series of hundreds of small intuitive schematic drawings. Through the process of sketching, the elusive point of emptiness, the delicate frame of the moment, and the naive map depicted. These set of dozens of drawings serve as a gateway to understanding the intricate ways in which these ephemeral concepts can manifested and formalized.

Layers of black matte cardboard, white gel ink, mechanical cut, mechanical drawing, eyelets. Various sizes. 2018—Ongoing

High quality 100% cotton, machine embroidery, felt insert, 30 × 40 cm, 12 pieces, 2017.

Clusters of clouds and the tensions between them, sun glare and light dust flying in the air. The constant movement of units of the sky when observed for long periods of time can exhibit an ordered, mathematically calibrated structure.

We try to figure out how to bring everything together in a certain system. There must be some general rules, something that works as a part of the whole system. I think I have discovered a relationship. It may not be immediately visible, but I will try to explain. No, no, not there, on the other side. Wait a minute.